Tony Levin and Pat Mastelotto, the powerhouse bass and drums of the group King Crimson for a few decades, bring that tradition to all their playing. Levin plays the Chapman Stick, from which the band takes its name.

Keith’s career traverses 50 years, from his Mighty Baby-backed 1969 debut ‘Stimulus’ to his appearances at the first Glastonbury a year later and on Bowie’s second eponymous album (aka Space Oddity). He’s dabbled in blues (Weatherman) and instrumentals (Acoustica) and here returns to the organic, emotional folk material in which he excels.

A sneaky socially distanced opportunity to celebrate the release of ‘Return’, the debut record from Katy J Pearson on Bella Union.
It’s a jewel in the dirt by the side of the highway; ten songs which slide effortlessly between lovelorn country, lo-fi folk and glistening, unforgettable pop. It’s fabulous and we’re very pleased to be able to host this intimate show.

The remarkable rise of award winning trio The Trials of Cato on the UK folk-scene has been the subject of massive critical attention. Dubbed “The Sex Pistols of folk,” (J Davis) they pay clear homage to the tradition whilst twisting old bones into something febrile and modern, with stomping tunes and captivating stories.

Three accomplished musicians in their own right, Celtic Connections Danny Kyle Award winning guitarist, banjo-player and singer Bella Gaffney, clawhammer banjo player and singer Kate Griffin and acclaimed fiddle-player and tunesmith Holly Brandon draw on their wide-ranging influences to create a unique blend of transatlantic folk. This all-female trio is already establishing a fearsome reputation for their glittering live shows, onstage rapport and genre-busting original and traditional material.

Willy Mason returns to The Crescent in celebration of the release of his fourth album.
A great singer-songwriter, a lovely chap and likely with a cracking band too. Alternative leftfield-pop, folk and Americana done with character and fun.

On the third floor of an abandoned textile mill to the north of Preston, a wave of strange musical beauty is blossoming. Brought up on the sounds of nearby Manchester – think New Order and The Smiths et al – White Flowers, made up of Katie Drew and Joey Cobb, make gloriously gothic Lynchian pop music that’s as ambiguous as it is beautiful and exciting.

We’re chuffed to welcome London post-punks Shame for a very intimate socially distanced, seated show as they celebrate the release of their second album Drunk Tank Pink.